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Letort Delphine

Letort Delphine

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Nicole Cloarec, David Haigron, Delphine Letort. Social class on British and American screens : essays on cinema and television / edited by Nicole Cloarec, David Haigron and Delphine Letort. McFarland & compan, pp.257, 2016, 978-1-4766-6234-3 hal-02183824
Charles Joseph, Delphine Letort. Tom Perrotta’s The Leftovers in Textual Seriality: Trauma, Resilience... Resolution? ». TV/Series, GRIC - Groupe de recherche Identités et Cultures, 2017, 41 (3), pp.607-612 hal-02398237
Delphine Letort, Joanny Moulin. Introduction to Political Biography in Literature and Cinema. Biography: An Interdisciplinary Quarterly, University of Hawai‘i Press, 2018, 41 (3), pp.607-612 hal-02082383
Delphine Letort. The cultural capital of Sofia Coppola’s The Bling Ring (2013): branding feminine celebrity in Los Angeles. Celebrity Studies, 2016, 7 (3), pp.309-322 hal-01982001
Delphine Letort. The Birth of a Nation (Nat Parker, 2016): The Tale of Nat Turner's Rebellion. Transatlantica. Revue d'études américaines/American Studies Journal, Association Française d’Études Américaines, 2019 hal-02299792
Delphine Letort. Adapting John Green: From Print to Screen. Publije, Le Mans Université, 2018 hal-02181539
Delphine Letort, Benaouda Lebdai. Introduction. Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Films, Springer International Publishing, pp.1-9, 2018 hal-02184794
Delphine Letort, Abderrahmene Bourenane. The figure of the radicalized girl in Francophone and other European cinemas. Studies in European Cinema, Intellect, 2020, pp.1-14 hal-02613875
Delphine Letort, Shannon Wells-Lassagne. Reviewing Mildred Pierce (Todd Haynes, HBO, 2011) in the Age of Postfeminism. Journal of Popular Film and Television, Taylor & Francis (Routledge), 2019, 47 (3), pp.171-178 hal-02299810
Delphine Letort, Benaouda Lebdai. Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Films. Springer International Publishing, 2018 hal-02144132
Delphine Letort, Erich Fisbach. La culture de l'engagement au cinéma. Presses universitaires de Rennes, 2015 hal-02319492
Delphine Letort. Robert Greenwald’s Political Documentaries: the Emergence of New Activist Practices on the Internet. Revue LISA / LISA e-journal, Presses universitaires de Rennes, 2014 hal-02319505
Delphine Letort. Filmer la lutte ouvrière : Harlan County, USA (Barbara Kopple, 1976) et I am somebody (Madeline Anderson, 1969). Delphine Letort, Erich Fisbach. La culture de l'engagement au cinéma, Presses universitaires de Rennes, 2015, 9782753557246 hal-02319496
Delphine Letort. First glances at Mildred Pierce: adapting hardboiled melodrama. Screen, Oxford University Press (OUP), 2015, 56 (2), pp.262-268 hal-02398250
Delphine Letort. 13 Reasons Why the Rape Myth Survives. Girlhood Studies, 2019, 12 (2), pp.17-31 hal-02189094
Delphine Letort. Révoltes armées et terrorisme à l'écran. CinémAction, 2019, 978-2-84706-719-4 hal-02151961
Delphine Letort. Conspiracy culture in Homeland (2011–2015). Media, War & Conflict, SAGE Publishing, 2016, 10 (2), pp.152-167 hal-02144130
Delphine Letort. Age and Gender in the Miniseries Adaptation of Elizabeth Strout’s Olive Kitteridge. Activities, Adaptation and Aging, Taylor & Francis (Routledge), 2016, 9 (1), pp.86-97 hal-02116245
Delphine Letort. The Historical Record and the American Imaginary: Adapting History in Selma. Black camera‎ : the newsletter of the Black Film Center/Archives, Indiana University Press, 2019, 10 (2), pp.195 hal-02133054
Delphine Letort. The Many Lives of Ida B. Wells: Autobiography, Historical Biography, and Documentary. Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Films, Springer International Publishing, pp.91-107, 2018 hal-02184788
Delphine Letort, Taïna Tuhkunen. 'Based upon a Life': The Biopic Genre in Question". Revue LISA / LISA e-journal, Presses universitaires de Rennes, 2016, 34 (2), Non spécifié hal-02616648
Pierre-Marie Loizeau, Delphine Letort, Benaouda Lebdaï. Michelle Obama: the Voice and Embodiment of (African) American History. Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Films, Palgrave Macmillan, pp.123-138, 2018, 978-3-319-77080-2 hal-02867664
Pierre-Marie Loizeau, Delphine Letort, Benaouda Lebdaï. W. (Oliver Stone, 2008) : l'Improbable Biopic ?. Auto-Biographies Historiques dans les Arts, Mare et Martin Editions, pp.230, 2017, Res Anglophonia, 978-2-84934-303-6 hal-02867673
Gilles Menegaldo, Benaouda Lebdai, Delphine Letort. Zelig entre Histoire fiction et mythe: portrait d’une Amérique fantasmée. Auto/biographies historiques dans les arts, Editions Mare & Martin, pp.109-130, 2017, coll. Anglophonia hal-02523916
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