STREET Anna

Maître de conférences, Le Mans Université, Etudes anglophones

Anna.Street@univ-lemans.fr

Domaines de recherches privilégiés : Etudes théâtrales, Performance Philosophy, Performance Studies, Comedy Studies

Thèmes de recherche

Philosophie et les arts de la scène, l’esthétique, le genre, l’éthique

Publications

Directions d’ouvrages

2017, Inter Views in Performance Philosophy: Crossings and Conversations, Co-edited with Julien Alliot and Magnolia Pauker. Performance Philosophy Series. London, Palgrave Macmillan.

Articles dans des revues à comité de lecture

2018, “Dramatic Measures: Comedy as Philosophical Paradigm.” Drama, Theatre, and Philosophy. Special issue of Anglia: Journal of English Philology, n° 136.1, Berlin, De Gruyter, 75-99.

2016, “Thinking Through Tragedy and Comedy: Some Provocations on Genre Matters.” Performance Philosophy Journal. n° 2.1. 130-140

Chapitres d’ouvrage

2017, “Inter Faces: Remapping Sites of Knowledge,” in Inter Views in Performance Philosophy: Contemporary Crossings and Conversations, Street, Anna, Julien Alliot and Magnolia Pauker, Eds., Performance Philosophy Series. London, Palgrave Macmillan, p. 97-106.
2017, with Magnolia Pauker and Julien Alliot, “Introduction: Genealogies of Performance Philosophy,” in Inter Views in Performance Philosophy: Contemporary Crossings and Conversations, Street, Anna, Julien Alliot and Magnolia Pauker, Eds., Performance Philosophy Series. London, Palgrave Macmillan, p. 3-22.
2017, with Martin Puchner, “Performative Disruptions and the Transformation of Writing,” in Inter Views in Performance Philosophy: Contemporary Crossings and Conversations, Street, Anna, Julien Alliot and Magnolia Pauker, Eds., Performance Philosophy Series. London, Palgrave Macmillan, p. 69-76.
2017, with Jon McKenzie, “Philosophical Interruptions and Post-Ideational Genres: Thinking Beyond Literacy,” in Inter Views in Performance Philosophy: Contemporary Crossings and Conversations, Street, Anna, Julien Alliot and Magnolia Pauker, Eds., Performance Philosophy Series. London, Palgrave Macmillan, p. 117-124.
2017, with Julien Alliot and Catherine Malabou, “Thresholds of Resistance: Between Plasticity and Flexibility,” in Inter Views in Performance Philosophy: Contemporary Crossings and Conversations, Street, Anna, Julien Alliot and Magnolia Pauker, Eds., Performance Philosophy Series. London, Palgrave Macmillan, p. 161-168.
2017, with Julien Alliot, Magnolia Pauker and David Zerbib, “Performance Knots: Crossed Threads of Anglo-American Thought and French Theory,” in Inter Views in Performance Philosophy: Contemporary Crossings and Conversations, Street, Anna, Julien Alliot and Magnolia Pauker, Eds., Performance Philosophy Series. London, Palgrave Macmillan, p. 327-337.

Traductions d’ouvrage

	2018, Martin Heidegger’s Grouch. Narrated by Yan Marchand. Illustrated by Matthais Arégui. Plato & Co. Berlin, diaphanes.
	2017, Dr. Freud, Fish Whisperer. Narrated by Marion Muller-Colard. Illustrated by Nathalie Novi. Plato & Co. Berlin, diaphanes
	2017, Diogenes the Dog-man. Narrated by Yan Marchand. Illustrated by Vincent Sorel. Plato & Co. Berlin, diaphanes.
	2017, Albert Einstein’s Bright Ideas. Narrated by Frédéric Morlot. Illustrated by Anne-Margot Ramstein. Plato & Co. Berlin, diaphanes
	2016, Hannah Arendt’s Little Theater. Narrated by Marion Muller-Colard. Illustrated by Clémence Pollet. Plato & Co. Berlin, diaphanes
	2016, Wittgenstein’s Rhinoceros. Narrated by Françoise Armengaud. Illustrated by Annabelle Buxton. Plato & Co. Berlin, diaphanes
	2015, Professor Kant’s Incredible Day. Narrated by Jean Paul Mongin Illustrated by Laurent Moreau. Plato & Co. Berlin, diaphanes
	2015, Mister Descartes and his Evil Genius (according to the Metaphysical Meditations). Narrated by Jean Paul Mongin. Illustrated by François Schwoebel. Plato & Co. Berlin, diaphanes.
	2015, The Ghost of Karl Marx. Narrated by Ronan de Calan. Illustrated by Donatie. Mary. Plato & Co. Berlin, diaphanes.
	2015, The Death of Socrates. Narrated by Jean Paul Mongin. Illustrated by Yann Le Bras. Plato & Co. Berlin, diaphanes

Communications à des colloques

“‘Nothing is More Real Than Nothing’: Existentialism and the Theater of the Absurd” Conference of the Society for Phenomenology and Existential Philosophy (SPEP). Memphis, Tennessee, Etats-Unis. 18-20 octobre 2017.
“Bodies of Water - From Wonders to Waste, from Currents to Currencies.” A Guided Podcast-Tour Along the Vltava River in creative collaboration with Mark Espiner (Theatre Practitioner) and Ramona Mosse (Free University Berlin). Performance Philosophy Conference. The Academy of Sciences and the Academy of Performing Arts. Prague, République tchèque. 22–25 juin 2017.
“Comedy’s Embrace of Inauthenticity: The Case of N.F. Simpson.” Congrès de la Société des Anglicistes de l’Enseignement Supérieur. Université de Reims. Reims, France. 1-3 juin 2017.
“Immersion Contra Critique or The Sound of Performance Philosophy.” Theater als Kritik. Congrès du Gesellschaft für Theaterwissenschaft. Goethe University Frankfurt & Liebig University Gieβen. Frankfurt, Allemagne. 3-6 novembre 2016.
“Sounding the Stage: Towards an Aural Aesthetics in 21st Century British Theatre.” Joint presentation with Ramona Mosse. British Theatre in the 21st Century: New Texts, New Stages, New Identities, New Worlds Conference. Université de Paris-Sorbonne. Paris, France. 13-15 octobre 2016.
“Repetition in Tragedy and Comedy: Un/Masking the Surface.” REPETITION/S: Performance and Philosophy in Ljubljana Conference. Université de Ljubljana. Ljubljana, Slovénie. 21-24 juin 2016.
“Comedy and Politics in Harold Pinter’s Early Plays.” Congrès de la Société des Anglicistes de l’Enseignement Supérieur. Université de Toulon. Toulon, France. 4-6 juin 2015.
“What Can Performance Philosophy Do With/For Genre? A Dialogue.” Panel Performance with Simon Critchley and Ramona Mosse. Performance Philosophy Conference. Université de Chicago. Chicago, IL, Etats-Unis. 10-12 avril 2015.
“Thinking Through Tragedy and Comedy.” Performance Philosophy and the Future of Genre Symposium. ICI Berlin Institute for Cultural Inquiry. Berlin, Allemagne. 4-5 décembre 2014.
“Performing the Self: Gnothi Seauton and the Rise of Performance Philosophy.” Gnothi Seauton – No Paper Conference. Institute of Philosophy, Academy of Sciences of the Czech Republic. Prague, République tchèque. 24-27 octobre 2014.
“Digital Democracy and the Rise of Global Theater.” Avant-Garde, Tradition, Community. Performance Studies International Conference. Shanghai Theater Academy. Shanghai, Chine. 4-8 juillet 2014.
“Genre Crossings: From the Tragic to the Comic Impossible in Post-war Theater.” Congrès de la Société des Anglicistes de l’Enseignement Supérieur. Université de Caen. Caen, France. 16-18 mai 2014.
“Genres of Thought: An Essay on Comedy and Philosophy.” Modern European Philosophy and its Politics Conference of the Society for European Philosophy. Kingston University. Kingston, Grande Bretagne. 5-6 septembre 2013.
“Love’s Laughter: Contingency and the Comic Vision in Beckett’s Theater.” Congrès de la Société des Anglicistes de l’Enseignement Supérieur. Université de Dijon. Dijon, France. 11-13 mai 2013.
“Comedy and the Spirit of Contingence: The Comic as Theorized in Modern Philosophy, and its Realization in Post-War British and French Drama.” Congrès de la Société des Anglicistes de l’Enseignement Supérieur. Université de Limoges. Limoges, France. 12-14 mai 2012.

Responsabilités administratives

Organisation colloques / symposia

➢ REPETITION/S: Performance and Philosophy in Ljubljana Conference. 21-24 septembre 2016. Université de Ljubljana. Ljubljana, Slovénie. http://repetitions2016.org/

➢ Thinking Through Tragedy and Comedy: A Symposium on Performance Philosophy and the Future of Genre. 4–5 décembre 2014. ICI Berlin Institute for Cultural Inquiry. Berlin, Allemagne. http://www.tragedycomedy.com/

➢ Théâtre, Performance, Philosophie : Croisements et transferts dans la pensée contemporaine anglo-américaine. 26–28 juin 2014. Université de Paris IV. Paris, France. http://tpp2014.com/