Letort Delphine
Letort Delphine
Mes publications sur HAL
| Renaud Bouchet, Hélène Lecossois, Delphine Letort, Stéphane Tison (Dir.). Résurgences conflictuelles: le travail de mémoire entre arts et histoire. 416 p., 2021 hal-03107743 | |
| Nicole Cloarec, David Haigron, Delphine Letort (Dir.). Social class on British and American screens : essays on cinema and television / edited by Nicole Cloarec, David Haigron and Delphine Letort. McFarland & compan, pp.257, 2016, 978-1-4766-6234-3 hal-02183824 | |
| Renée Dickason, Delphine Letort, Michel Prum, Stéphanie Bélanger. War and Remembrance, Recollecting and Representing War. McGill-Queen's University Press, 2022, 978-0-2280-1068-5 hal-03704927 | |
| Charles Joseph, Delphine Letort. Tom Perrotta’s The Leftovers in Textual Seriality: Trauma, Resilience... Resolution? ». TV/Series, 2017, 12, pp.607-612 hal-02398237 | |
| Charles Joseph, Delphine Letort. How to End with an Opening: TV Series Continuity and Metadaptation. Adapting Endings from Book to Screen: Last Pages, Last Shots, Routledge, 2019, 9780367200688 hal-02398273 | |
| Hélène Lecossois, Renaud Bouchet, Delphine Letort, Stéphane Tison. Résurgences conflictuelles : le travail de la mémoire entre arts et histoire: Introduction et conclusion. Résurgences conflictuelles : le travail de la mémoire entre arts et histoire, Presses universitaires de Rennes, pp.17-29 et 387-390, 2021, 9782753579743 hal-04162242 | |
| Delphine Letort, Joanny Moulin. Introduction to Political Biography in Literature and Cinema. Biography: An Interdisciplinary Quarterly, 2018, 41 (3), pp.607-612 hal-02082383 | |
| Delphine Letort. Révoltes armées et terrorisme à l'écran. CinémAction, 170, 2019, 978-2-84706-719-4 hal-02151961 | |
| Delphine Letort. Adapting BlacKkKlansman: "Based upon some fo' real, fo' real sh*t". Black camera : the newsletter of the Black Film Center/Archives, 2022, 13 (2), pp.207-233 hal-03704926 | |
| Delphine Letort. Panorama mondial du film noir. CinémAction, 151, 2014 hal-02319498 | |
| Delphine Letort. Flirting with Controversy: Making Biopics about Truman Capote. Revue LISA / LISA e-journal, 2016, 14 (2) hal-02158632 | |
| Delphine Letort. First glances at Mildred Pierce: adapting hardboiled melodrama. Screen, 2015, 56 (2), pp.262-268 hal-02398250 | |
| Delphine Letort (Dir.). Auto/biographies historiques dans les arts. Mare et Martin, 232 p., 2017, 978-2-84934-303-6 hal-02319483 | |
| Delphine Letort. The Ethics of Truth in Biographical Documentaries. LA VÉRITÉ D'UNE VIE, Champion, 2019, 9782745352040 hal-02398258 | |
| Delphine Letort, Benaouda Lebdai. Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Films. Springer International Publishing, 2018 hal-02144132 | |
| Delphine Letort, Abderrahmene Bourenane. The figure of the radicalized girl in Francophone and other European cinemas. Studies in European Cinema, 2020, 19 (2), pp.115-128 hal-02613875 | |
| Delphine Letort, Benaouda Lebdai. Introduction. Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Films, Palgrave Macmillan, pp.1-9, 2018 hal-02184794 | |
| Delphine Letort, Fournier Georges. Introduction. Revue LISA / LISA e-journal, 12 (1), 2014, Les pratiques documentaires: entre propagande et contestation hal-02319504 | |
| Delphine Letort. Robert Greenwald’s Political Documentaries: the Emergence of New Activist Practices on the Internet. Revue LISA / LISA e-journal, 2014, 12 (1) hal-02319505 | |
| Delphine Letort. The Birth of a Nation (Nate Parker, 2016): The Tale of Nat Turner's Rebellion. Transatlantica. Revue d'études américaines/American Studies Journal, 2019, 1 hal-02299792 | |
| Delphine Letort, Taïna Tuhkunen. “Based upon a Life”: The Biopic Genre in Question. Revue LISA / LISA e-journal, 14 (2), 2016 hal-02319489 | |
| Delphine Letort. The Historical Record and the American Imaginary: Adapting History in Selma. Black camera : the newsletter of the Black Film Center/Archives, 2019, 10 (2), pp.195-210 hal-02133054 | |
| Delphine Letort, Shannon Wells-Lassagne. Reviewing Mildred Pierce (Todd Haynes, HBO, 2011) in the Age of Postfeminism. Journal of Popular Film and Television, 2019, 47 (3), pp.171-178 hal-02299810 | |
| Delphine Letort. The cultural capital of Sofia Coppola’s The Bling Ring (2013): branding feminine celebrity in Los Angeles. Celebrity Studies, 2016, 7 (3), pp.309-322 hal-01982001 | |
| Delphine Letort. Screening Drone Warfare. Revue LISA / LISA e-journal, 2022, 20 (53) hal-03704925 | |
| Delphine Letort. The Spike Lee Brand: A Study of Documentary Filmmaking. State University of New York Press. 2015, 1438457626 hal-02319474 | |
| Delphine Letort. Adapting John Green: From Print to Screen. Publije, 2018 hal-02181539 | |
| Delphine Letort. Filmer la lutte ouvrière : Harlan County, USA (Barbara Kopple, 1976) et I am somebody (Madeline Anderson, 1969). Delphine Letort, Erich Fisbach. La culture de l'engagement au cinéma, Presses universitaires de Rennes, 2015, 9782753557246 hal-02319496 | |
| Delphine Letort. Du film noir au néo-noir : mythes et stéréotypes de l'Amérique. L'harmattan. 2010, 978-2-296-11055-7 hal-02319478 | |
| Delphine Letort. Noirsorozat Dániából – Egy gyilkos ügy. Apertura, 2019 hal-02355047 | |
| Delphine Letort. Questioning the Jury System through Jean-Xavier de Lestrade's "The Staircase" (2008). America: Justice, Conflict, War, 2016, 978-3-8253-7601-7 hal-02398246 | |
| Delphine Letort. Introduction. Revue LISA / LISA e-journal, 2022, Mediating the Unsaid of War, 20 (53) hal-03704929 | |
| Delphine Letort, Taïna Tuhkunen. 'Based upon a Life': The Biopic Genre in Question". Revue LISA / LISA e-journal, 2016, 34 (2), Non spécifié hal-02616648 | |
| Delphine Letort. Introduction : Les cultures ado, consommation et production. Publije, 2018 hal-02181521 | |
| Delphine Letort, Erich Fisbach. La culture de l'engagement au cinéma. Presses universitaires de Rennes, 251 p., 2015 hal-02319492 | |
| Delphine Letort. Spike Lee's Documentaries: The Creative Art of Making Nonfiction. Black camera : the newsletter of the Black Film Center/Archives, 2016, 8 (1), pp.9 hal-02398242 | |
| Delphine Letort. Age and Gender in the Miniseries Adaptation of Elizabeth Strout’s Olive Kitteridge. Activities, Adaptation and Aging, 2016, 9 (1), pp.86-97 hal-02116245 | |
| Delphine Letort. Conspiracy culture in Homeland (2011–2015). Media, War & Conflict, 2016, 10 (2), pp.152-167 hal-02144130 | |
| Delphine Letort. The Many Lives of Ida B. Wells: Autobiography, Historical Biography, and Documentary. Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Films, Palgrave Macmillan, pp.91-107, 2018 hal-02184788 | |
| Delphine Letort. 13 Reasons Why the Rape Myth Survives. Girlhood Studies, 2019, 12 (2), pp.17-31 hal-02189094 | |
| Pierre-Marie Loizeau, Delphine Letort, Benaouda Lebdaï. W. (Oliver Stone, 2008) : l'Improbable Biopic ?. Auto-Biographies Historiques dans les Arts, Mare et Martin Editions, pp.230, 2017, Res Anglophonia, 978-2-84934-303-6 hal-02867673 | |
| Gilles Menegaldo, Benaouda Lebdai, Delphine Letort. Zelig entre Histoire fiction et mythe: portrait d’une Amérique fantasmée. Auto/biographies historiques dans les arts, Editions Mare & Martin, pp.109-130, 2017, coll. Anglophonia hal-02523916 | |
| Marie-Christine Michaud, Delphine Letort, Pauline Pilote. États-Unis : Entre union et désunion. Perséides, 2023 hal-04324326 | |
| Shannon Wells-Lassagne, Delphine Letort (Dir.). L’adaptation cinématographique: Premières pages, premiers plans. Mare et Martin, 2014, 978-2-84934-154-4 hal-01170093 |
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